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APPROACH

The basis of Sorolla's faultless technique was the drawings skills that he had learnt in his childhood.

But he was not a slave to technique – truth and sincerity were his key objectives, and these came from observation and hard work.

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Sorolla painted very, very fast. "I could not paint at all if I had to paint slowly," he once said. "Every effect is so transient, it must be rapidly painted."

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Sorolla, 1881

Besides Sundays, he would work six to nine hours a day, often standing in the full glare of the sun dressed in a suit. Most of his pictures were painted in from four to six mornings, many in one or two.

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Sorolla did not have a set idea of how a painting would turn out before he started, preferring to build up the composition as he went along.

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Making of: Children on the Beach. 1916

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Making of: The Horse's Bath. 1909

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Joaquin Sorolla in action

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