APPROACH
The basis of Sorolla's faultless technique was the drawings skills that he had learnt in his childhood.
But he was not a slave to technique – truth and sincerity were his key objectives, and these came from observation and hard work.
Sorolla painted very, very fast. "I could not paint at all if I had to paint slowly," he once said. "Every effect is so transient, it must be rapidly painted."
Sorolla, 1881
Besides Sundays, he would work six to nine hours a day, often standing in the full glare of the sun dressed in a suit. Most of his pictures were painted in from four to six mornings, many in one or two.
Sorolla did not have a set idea of how a painting would turn out before he started, preferring to build up the composition as he went along.
Making of: Children on the Beach. 1916
Making of: The Horse's Bath. 1909
Joaquin Sorolla in action